Fashion is an expression of our identity. Be a part of the only program aimed at shaping culture while developing fashion industry leaders and agents of positive change.
Master of Fine Arts in Fashion Collection + Communication
If you are interested in learning more about this program, please contact the Fashion Department at fashiondesign@pratt.edu.
The Master of Fine Arts in Fashion Collection + Communication offers a dynamic trans-disciplinary pedagogical approach that spans design, theoretical analysis, and critical examination. The program provides a holistic redefining of advanced fashion design education with the core making studios buttressed by non-studio courses in research practices, critical theory, and the study of global fashion systems and their impacts and implications.
The Fashion Department’s mission and learning outcomes speak to current global fashion inquiries, emphasizing experimentation and exploration as well as theoretical analyses framed by issues such as materiality, sustainability, social justice, gender, race, and others. With that in mind, a strong emphasis on conceptual development and making creates continuity between the BFA in Fashion Design and the MFA in Fashion Collection + Communication; this confluence is the hallmark of both undergraduate and graduate study programs in ĢƵ Fashion.
For application questions and information, please visit Graduate Admissions.
Mission/Purpose
The MFA Fashion Collection + Communication program shapes fashion as an impactful means of communicating with and about the world. The pedagogy strengthens and fortifies students’ creative visions and design languages, highlighting both traditional methods of making and emerging design techniques. The MFA inspires students to form a conceptually purposeful practice that is in meaningful dialogue with critical inquiry in fashion and through trans-disciplinary engagement across ĢƵ Institute. Graduates of the program will redefine fashion practice as both craft and social critique.
Dress rehearsal for 2023 ĢƵ Fashion Show “ASSEMBLAGE” held at Pioneer Works in Red Hook, Brooklyn.
Culture & Community
The design studio is at the core of your educational experience at ĢƵ. We consider the design studio a mindful and creative space where we form a collaborative learning community. The two-year, 60-credit MFA program will critically examine the concept of the fashion collection and explore how fashion communicates ideas and drives the cultural narrative. This trans-disciplinary program is built around dynamic elective opportunities, an innovative new model that will empower participants to tailor their graduate education to their own areas of focus, through research, studio-based work, and self-directed study.
Dapper Dan presents the annual ĢƵ Fashion Visionary Award at the 2019 ĢƵ Fashion Show.
The Studios + Labs
Sustainability and material exploration drive our passion for making. To prepare students to become leaders within the creative community, ĢƵ Fashion offers a wide variety of resources including access to Shima Seiki 3D knitting machines and Framis NOSO technology, as well as a dedicated Textile Research Library within the department and a Textile Dye Garden on campus. .
Black Dress exhibit at ĢƵ Manhattan Gallery in New York City in February, 2014.
The Faculty
ĢƵ’s distinguished faculty of outstanding creative professionals and scholars share a common desire to fully develop each student’s individual potential and creativity. The faculty come from diverse educational and professional backgrounds representing the breadth of Fashion Design’s complexity, including Adrienne Jones (Black Dress), Byron Lars, Susan Cianciolo, Shane Gabier. Faculty connections have fostered partnerships with Downtown Brooklyn Alliance and Navy Yard/Research Yard. .
This seminar will run concurrently with thesis development and culminate in the production of a compilation of the cohort’s MFA work. Through the building of The Book, the course will offer opportunities to explore styling and editorial storytelling, curation, examination of fashion theory through research and writing, among other 2D and 3D expressions. The Book will serve as a platform for the collective voice of the MFA student body, a place to contextualize and document individual perspectives while defining the community ethos of the program. All components of The Book are student-led, directed and produced by the class with faculty and cross-disciplinary support, offering an opportunity for collaboration through a dynamic multi-media presentation.
This course is the third of a three-part series designed to engage students in critical and reflective thinking on the practice of fashion design and the workings of the global fashion industry. Unlike parts one and two of the series, part three is underpinned by a student-written syllabus. Here, each student directs one week of class discussion, choosing a class topic based on their own research interests and focuses. This course connects to students’ thesis work, as it serves as the critical and contextual foundation for their year-long, design-based thesis project.
Engaging the World investigates global fashion systems to understand diverse cultures and communities in an effort to support social enterprise and responsible design practices. The course encourages students to learn beyond the boundaries of a physical classroom environment through community engagement, collaborative practice and exploration of international possibilities. The experience enables graduate students the chance to research political, social and economic factors needed to develop long-term relationships, and possibly reimagine fashion to generate change within local and global fashion systems. This course is offered in both a travel and local format
A quiet moment before the 🌟ĢƵ Shows:
Fashion.
Live stream available starting at 6:00 p.m.
/giving/special-events/fashion-show/
#Fashion #ĢƵ #ĢƵShows #StudentWork #fashiondesigner
21 hours ago
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1/9
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22 hours ago
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2/9
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Designer Nicholas Daley, recipient of ĢƵ Institute’s 2025 Visionary Award, recently sat down with Sabrina Soormally of @clashmagazine to talk about his Met Gala debut, Black dandyism, and collaborating with his mother and her knitting circle.
Read the full article & see the photos here >> https://www.clashmusic.com/fashion/nicholas-daley-met-gala-leon-bridges/
Photo credit: @geoffrey.baptiste
ĢƵ Fashion Design is excited to honor Nicholas Daley this evening at the ĢƵ Show: Fashion.
#ĢƵ #Fashion #FashionDesign #MetGala #BlackDandy #knitting #crochet #ĢƵShows
23 hours ago
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3/9
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Didn't get tix to the ĢƵ Shows: Fashion?
Don't 😭 the show's live stream will be available starting at 6:00 pm.
/giving/special-events/fashion-show/
Thirty graduating seniors will present their thesis collections in this exciting runway show. We are so excited to see their beautiful designs strut down the runway!
#fashion #FashionDesign #ĢƵ #BrooklynFashion #FashionStudents #StudentWork #FinalProjects
1 day ago
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4/9
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ĢƵ Professor Adrienne Jones gave the Met Gala a solid seven out of 10 rating in an interview with Fashionista.
Quote: "After watching, it was kind of where I expected it to be," she told Fashionista the morning after fashion's biggest night. Why didn't she give it a higher score? The carpet could've used more Black designers, she says.
"...I was hoping that there would be a broader range of Black fashion designers, especially with the focus [of the Costume Institute exhibit] being on the Black male."
Read the full article for Professor Jones's thoughts on what was good and where there is room for improvement: https://fashionista.com/2025/05/2025-met-gala-red-carpet-expert-review
Photo credits in the article.
#Fashion #FashionDeisgn #MetGala #FashionForChange #BlackFashion
5 days ago
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5/9
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ĢƵ Fashion Design Professor Adrienne Jones shared her nuanced thoughts on how well this year’s Met Gala honored Black cultural memory, historical elegance, and the enduring legacy of Black style with Essence.
“We’ve always taken nothing and made it something—and then turned that into something even more fabulous,” she said. “That’s what I saw on the carpet. That’s what made it magical.”
As an academic, she recognizes that there is always room for improvement. “There’s more than three colors in the crayon box,” she said. “Where was the vibrancy? I think of African tailors, of Caribbean elegance—rich color, texture, vibrance. That’s what I wanted more of.”
Read the article: https://www.essence.com/culture/met-gala-2025-black-style-as-living-history/
Photo credits in the article.
#Fashion #FashionDeisgn #MetGala #FashionForChange #BlackFashion
1 week ago
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6/9
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MFA Fashion Collection + Communication students at @prattinstitute partnered with @theory_ to design capsule collections using deadstock fabrics and damaged garments.
Their innovative creations are on display at the Theory Meatpacking store. They illustrate how thoughtful design can give existing materials a second life, highlight the brand’s broader mission to reduce waste, and inspire the next generation of designers. The work was presented as part of Theory's Good Talks series at Theory Meatpacking and is on view during Earth Week.
Thanks to @cfda, the Theory team, and all who made this collaboration possible. See the work of the next generation of designers, who are shaping fashion as both craft and social critique.
Photos by @nateboze
Learn more about the MFA: pratt.edu/design/fashion-design/fashion-collection-communication-mfa
#GoodTalks #MFAFashion #ĢƵFashion #TheoryProject #EarthWeekFashion #SustainableDesign #Fashion #StudentWork
4 weeks ago
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7/9
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Check out the 🌟Work in Progress Exhibit🌟 by School of Design students in the Stueben Hall Lounge.
1 & 2: Honey on Tap by Alessandra Latino, Fashion Design Senior - muslin, cotton thread, hook & eye
3 & 4: Biomaterial Samples by Wren Walker, Fashion Design Junior - dead stock wool, bio plastics
5 & 6: Felted Bustier Shirt Dress, Hourglass Ombre Felted Blazer Dress by Griselda Pena, Interior Design major and Textiles minor Sophomore - pima broadcloth cotton, silk babotai, merino wool roving, wool, non-fusible horsehair canvas, cyccled polyester, China silk
We love seeing our students progress as they work towards final projects!
#ĢƵ #Fashion #StudentWork #LifeCycleAnalysis #Wool #Muslin #DeadStock
1 month ago
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8/9
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ICYMI: A clip from ĢƵ Fashion Design Visiting Professor Mallorie Dunn’s lecture on the importance of size inclusion.
🧡 Treatment of Models 🧡
“Clothes are for people. We cannot erase the people who wear clothes, and that includes models. Models are people, they are not clothes hangers. When we, as designers, are showing our vision, we need to consider the model’s needs and feelings.”
Edit: A recording of the entire talk can be found at YouTube.com/smartglamour.
#FashionDesign #ĢƵ #FashionForChange #Fashion #FashionEducation
![ĢƵ Professor Adrienne Jones gave the Met Gala a solid seven out of 10 rating in an interview with Fashionista.
Quote: "After watching, it was kind of where I expected it to be," she told Fashionista the morning after fashion's biggest night. Why didn't she give it a higher score? The carpet could've used more Black designers, she says.
"...I was hoping that there would be a broader range of Black fashion designers, especially with the focus [of the Costume Institute exhibit] being on the Black male."
Read the full article for Professor Jones's thoughts on what was good and where there is room for improvement: https://fashionista.com/2025/05/2025-met-gala-red-carpet-expert-review
Photo credits in the article.
#Fashion #FashionDeisgn #MetGala #FashionForChange #BlackFashion](/design/wp-content/uploads/sites/6/2023/07/497683024_18497938807015477_9743026174018248_n-640x640.jpg)
![ĢƵ Professor Adrienne Jones gave the Met Gala a solid seven out of 10 rating in an interview with Fashionista.
Quote: "After watching, it was kind of where I expected it to be," she told Fashionista the morning after fashion's biggest night. Why didn't she give it a higher score? The carpet could've used more Black designers, she says.
"...I was hoping that there would be a broader range of Black fashion designers, especially with the focus [of the Costume Institute exhibit] being on the Black male."
Read the full article for Professor Jones's thoughts on what was good and where there is room for improvement: https://fashionista.com/2025/05/2025-met-gala-red-carpet-expert-review
Photo credits in the article.
#Fashion #FashionDeisgn #MetGala #FashionForChange #BlackFashion](https://scontent-ord5-1.cdninstagram.com/v/t51.75761-15/497683024_18497938807015477_9743026174018248_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=101&ccb=7-5&_nc_sid=18de74&_nc_ohc=py61bM6zZ7MQ7kNvwE1B5l1&_nc_oc=AdkvGRQlyATM7zVkb78rcJiworjzEiriPhYlzB2JGmZ0SoKIRL7HV5gMstd2Zra7K7c&_nc_zt=23&_nc_ht=scontent-ord5-1.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=0SEvG2wafvX6G4pYRDFT8w&oh=00_AfL5lj-sZ22bYXgh0bajQO_jELQYs-AiQrTA6WbWmyrXFg&oe=682D8CAE)
![ĢƵ Professor Adrienne Jones gave the Met Gala a solid seven out of 10 rating in an interview with Fashionista.
Quote: "After watching, it was kind of where I expected it to be," she told Fashionista the morning after fashion's biggest night. Why didn't she give it a higher score? The carpet could've used more Black designers, she says.
"...I was hoping that there would be a broader range of Black fashion designers, especially with the focus [of the Costume Institute exhibit] being on the Black male."
Read the full article for Professor Jones's thoughts on what was good and where there is room for improvement: https://fashionista.com/2025/05/2025-met-gala-red-carpet-expert-review
Photo credits in the article.
#Fashion #FashionDeisgn #MetGala #FashionForChange #BlackFashion](https://scontent-ord5-3.cdninstagram.com/v/t51.75761-15/496960620_18497938810015477_696099479875607553_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=106&ccb=7-5&_nc_sid=18de74&_nc_ohc=xRM-hESHLWwQ7kNvwFZdSi1&_nc_oc=AdlUxwzmUWq4L58YoJ2tocfw09p8Cge_pnywVztym1ofi2JXYSdwyOTx9XZtAhKPV_g&_nc_zt=23&_nc_ht=scontent-ord5-3.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=0SEvG2wafvX6G4pYRDFT8w&oh=00_AfIpQ6Vtd-8uuwYL4ujG-dMWtLhqpuJnl6U8Yt7wBopcKg&oe=682D95F3)
![ĢƵ Professor Adrienne Jones gave the Met Gala a solid seven out of 10 rating in an interview with Fashionista.
Quote: "After watching, it was kind of where I expected it to be," she told Fashionista the morning after fashion's biggest night. Why didn't she give it a higher score? The carpet could've used more Black designers, she says.
"...I was hoping that there would be a broader range of Black fashion designers, especially with the focus [of the Costume Institute exhibit] being on the Black male."
Read the full article for Professor Jones's thoughts on what was good and where there is room for improvement: https://fashionista.com/2025/05/2025-met-gala-red-carpet-expert-review
Photo credits in the article.
#Fashion #FashionDeisgn #MetGala #FashionForChange #BlackFashion](https://scontent-ord5-2.cdninstagram.com/v/t51.75761-15/496874982_18497938789015477_4457685545849523160_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=102&ccb=7-5&_nc_sid=18de74&_nc_ohc=ZCwMj5LxkrAQ7kNvwHr07AZ&_nc_oc=AdlfNMF552GOIOi3wlOST3nSqnuiBAbq87SzVafL9VPqcbAcCoAacFSTUvV2Pz1qer4&_nc_zt=23&_nc_ht=scontent-ord5-2.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=0SEvG2wafvX6G4pYRDFT8w&oh=00_AfLJlBs74tv2ee2ANyFjtqlZ7X3bgN-mQh6364_N6AK6QQ&oe=682D8C15)
